Showing posts with label New Jersey. Show all posts
Showing posts with label New Jersey. Show all posts

7/24/10

Bon Jovi: Heat doesn’t wilt happy fans as HullabaLOU gets under way

Churchill DownsImage via Wikipedia
The HullabaLOU festival is underway in Louisville, KY at Churchill Downs the site of the famous Fastest Two Minutes in Sports The Kentucky horsewhipping Derby.  (I did watch the Derby this year and I don't care what people say you hit an animal with a riding crop and it feels pain).  Churchill Downs is also the site where the most Mint Juleps are consumed than any other place on Earth (a mint Julep is like from my understanding a Mojito made with Bourbon instead of Rum but I don't drink bourbon so, I have never had one).


Heat doesn’t wilt happy fans as HullabaLOU gets under way

By Jeffrey Lee Puckett
jpuckett@courier-journal.com

Mike and Heather Bridwell stood in front of the Fleur de Lis stage on Friday at the inaugural HullabaLOU Music Festival at Churchill Downs, not quite wilting in the heat but certainly not ready to do calisthenics.
Many of the thousands in attendance were being extra careful as temperatures rose, but none had a better excuse than Heather Bridwell.
“I'm trying to stay cool for three — I'm carrying twins,” she said. “I'm drinking lots of water, lots and lots of water, which means I have to go to the bathroom a lot.”
Bon Jovi was going to make it all worthwhile for the Bridwells, who had driven from Shepherdsville for the first day of the three-day festival. The crowd was steady throughout the afternoon and early evening, but never overwhelming. Around 50,000 fans are expected over the course of the weekend.
“All the studies we looked at told us that Fridays are the softest day, so at this stage we're really pleased,” said Steve Sexton, president of Churchill Downs Entertainment. “We're going to learn something every day. A festival is a living, breathing, fan-friendly event.”
With forecasts calling for the hottest temperatures of the year, the big question was how fans would handle the heat as they gathered to see more than 65 bands, including Kenny Chesney, the Dave Matthews Band, Al Green, the Doobie Brothers, the B-52s, Jason Aldean and the Zac Brown Band.
When Friday's bands began playing at 1 p.m., a steady breeze took the edge off the heat. That changed as the day wore on, the temperature rose to 96 degrees, and the infield, where four of the festival's five stages were situated, began to bake.
As of 6:30, workers at Churchill Downs' first-aid stations said they'd had no heat-related problems. People were actually drinking as much water as beer, they said.
“It's been a very smart crowd for this heat,” said Dana Davidson, a nurse at one of the infield first aid tents. “We've given out a lot of Band-Aids. Lots of blisters, like at Derby. At Derby, it's women with high heels. Here it's sandals.”
Chris and Karen Dunn, of Louisville, were well-prepared for the heat.
They brought collapsible chairs with built-in sunshades and portable water misters. They had schedules planned for all three days, criss-crossing from stage to stage.
“We bought these chairs just for today but already had the misters,” said Karen Dunn, 55. “The people inside were nice enough to fill them up with ice for us.”
“This is really exciting for a first-year event, to have all of these big names,” she added.
HullabaLOU has been thought of as an event for an older demographic, since many of the bands are staples of classic rock radio. But there were plenty of 20-somethings — and even younger — running around, thanks largely to the power of Bon Jovi.
Eddie Alagna, 24, and Sarah Bondy, 21, were happy to see Train and Colbie Caillat, but New Jersey's Bon Jovi was the reason they came.
“Love Bon Jovi,” said Alagna, of Louisville. “This is my first big festival, and it's been great.”
“We watch a band and when we get overheated we head for the air conditioning,” said Bondy, also of Louisville.
“We'll keep going until we're exhausted,” Alagna said.
Misting tents were set up strategically in the infield, offering 20,000 square feet of instant cool, and were well-attended all day. Mike Weems, 39 and a festival veteran, cooled off in one between bands with Jessica Weems, 19, and Fawn McAnally, 22.
“Considering we're used to festivals, it's not bad,” said Weems, from Frankfort.
“It's bad for me — I'm shaking,” said McAnally, from Cincinnati. “Me and heat do not get along.”
Musicians also had a few heat issues. The B-52s' Kate Pierson, for example, said it took a lot of extra hairspray to keep her bouffant up.
But Lexington's Jeff Duncan, who performed with Thumper and the Plaid Rabbits on the Fleur de Lis stage, didn't care how hot it got.
“When I squinted my eyes, all of my dreams came true,” he said. “For 40 minutes it was like we were on the festival circuit.”

7/23/10

Bon Jovi: Bon voyage Jersey band’s long journey leads to stadium mega-shows

Richie Sambora live on stage in Dublin with Bo...Image via Wikipedia
By Jim Sullivan | Friday, July 23, 2010 |

There’s arena rock and then there’s Bon Jovi.

Bon Jovi doesn’t play arenas anymore. It plays football stadiums - including Gillette Stadium Saturday night.

Which, when things go well, is where you end up after 28 years and 3,500 shows..

“Or some crazy amount like that,” guitarist Richie Sambora, 51, said before Bon Jovi’s show at Toronto’s 55,000-capacity Rogers Centre earlier this week. “I don’t know if anybody has comprehensively toured as much as we have.”

But the band, led by singer Jon Bon Jovi, hasn’t forgotten its New Jersey club roots. “After all these years, we know how to make a stadium an intimate place,” Sambora said. “I don’t think we’ve ever had a bad show.

Bon Jovi - which also includes keyboardist David Bryan, drummer Tico Torres and, since 1994, bassist Hugh McDonald - has sold 120 million albums. The band had a No. 1 country hit in 2006 with “Who Says You Can’t Go Home,” a duet with Sugarland’s Jennifer Nettles. Their 11th studio album, “The Circle,” debuted at No. 1 last year. And they’re now deep into a 150-show tour.

“When I walk onstage and I look down and see my shadow,” Sambora said, “I say to myself, ‘Well, it’s pretty good to be me.’ I look up and there’s 55,000 people staring at me enjoying my songs. I do this all over the whole world. I’ve got the best partner and frontman in the business.

“Besides having one of the biggest bands on the planet, Jon and I were just in the gym and we’re looking at each other going, ‘Man, we’re still having fun. Everything’s really cool.’ ”

Herald: The concert business is in dire straits and big acts are scrapping tours, canceling arena gigs, but not you.

Sambora: We’re adding shows all over the world. We’re on cloud nine, man. The way the climate is in the touring business now, it’s amazing. We work as hard as we can every day, all the time. We still don’t take a bit of this for granted.

What’s your take on the continued success?

It’s the people. Not only that, it’s our own challenge to ourselves. Honestly when you get to do what we do at this level - to do what you love to do and make money - it’s extraordinary. There’s an internal challenge that we all bring to the party. It’s about bringing your heart and soul and leaving everything up there on the stage every night. You’re here. Let’s bring it. That’s been our attitude.

Did you have arena-sized ambitions from the get-go?

When we were young, we had a plan that we were going to be able to play everywhere. Of course you have the big ambitions, but nobody could have dreamed this big, or for this long. Frankly though, when we were making “Slippery When Wet,” we knew we had a couple of hits. When Jon and I wrote “Wanted Dead or Alive,” “Livin’ on a Prayer” and “You Give Love a Bad Name,” we looked at each other and said, “Yeah, we can work this.”

You’ve sold millions of records, but have never been a critic’s darling.

Ah, we’re an American rock ’n’ roll band. We just are who we are. We’ve never been a critic’s band, but “The Circle” got amazing reviews and the live shows are getting amazing reviews. So everything comes around.

It seems with “The Circle” there’s a bit more grit and reflection. Any thoughts?

It really constitutes a lot of different things. It constitutes growing up. It’s always relying on your influences and rediscovering what your roots are. We’re on a constant quest for evolution. There’s a populist, working-class ethic to it. Jon and I have probably written close to 500 songs, and you draw a lot from what’s happening in the culture and what’s happening in the world. “The Circle” couldn’t have been written at a different time. Those songs were written about how people were feeling about the economic crunch. It’s not a political album per se, but it’s an album about how people were reacting to what was happening in the world. It was right at the time of the election and a lot of people had a lot of hope that Obama was gonna get elected. There’s a string of hope that goes through those songs and there was a string of doubt, a lot of different emotions.

What’s your writing process?

Jon and I write very simply. We start out with a conversation about what we’re feeling. It’s spontaneous combustion. It’s always in the moment and we’re always in the same room with a couple of guitars or a piano. If you can sell it with a guitar and voice, that’s the way we base it.
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7/21/10

Bon Jovi: Bon Jovi plays through the pain

Jon Bon Jovi at the 2009 Tribeca Film Festival...Image via Wikipedia
The set list is wrong but still Toronto got a good first night, I'm sure tonight will have one or 2 surprises thrown in, maybe.

JANE STEVENSON, Toronto Sun

The Circle remained unbroken on Tuesday night at the Rogers Centre.

New Jersey rockers Bon Jovi played the first of two back-to-back shows of their so-called Circle Tour in front of 42,000 fans at the stadium, despite frontman Jon Bon Jovi's torn calf muscle injury sustained during a July 9 concert in his home state. He has played a handful of shows, mostly in Canada, since he was injured.

And while it was lead guitarist Richie Sambora who first appeared under the spotlight during the intro to the opening song, Blood On Blood, from the band's huge late ‘80s album, New Jersey, it was the entrance of Bon Jovi that really got the crowd going.

"It's a long way from the El Mocambo to Rogers Centre, I'll tell you that," said Bon Jovi, staring the at the huge audience.

"Don't mind me, I'm just taking it all in," he added later as the show wound down.

Give the 48-year-old performer credit as there was a lot of ground to cover - literally.

Joined by keyboardist David Bryan, drummer Tico Torres and two other touring musicians, the group played on an enormous stage, dominated by a semi-circular video screen and catwalk, and two rectangular video screens on either side.

Not that Bon Jovi, who was spelled at one point by Sambora who took over on lead vocals during Lay Your Hands On Me, did much walking for much of the two-and-a-half hour show.

The second song was We Weren't Born To Follow, the first single from their 2010 album, The Circle. But it was the older hit, You Give Love A Bad Name, that struck a major chord with the fans, who happily sang along.

"This ain't television baby, get up out of your seats!" screamed Bon Jovi as the song began. "Show me what you got!"

Among the standouts from the group's 27-year back catalogue were the anthemic Bad Medicine, Have A Nice Day, Who Says You Can't Go Home, Keep The Faith, Wanted Dead Or Alive, Livin' On A Prayer (which included fan generated videos to the song), a cover of Bob Seger's Old Time Rock N' Roll (featuring opener Kid Rock) and the ballad Always.

"If you can't have fun doing this, you're a dead man," said Bon Jovi before he broke into the Seger cover.

But there were far too many misses, such as during I'll Sleep When I'm Dead, We Got It Goin' On, Something For The Pain and In These Arms.

When Sambora later joined Bon Jovi at the front of the catwalk for I'll Be There For You and Bryan and Torres completed the lineup for Something For The Pain and Someday I'll Be Saturday Night, it was all pretty snoozy.

If I were them, I'd edit out some of the ballads from the set list and leave the crowd wanting more.

Otherwise, Kid Rock's hour-long opening set gave Bon Jovi a real run for their money. He kicked it off strongly with the trio of Rock N Roll Jesus, You Never Met A Motherf----- Quite Like Me, and All Summer Long.

"All the music you're hearing on stage tonight is live," said the the 39-year-old Detroit country-blues-hip-hop-southern-influenced rocker. "This ain't no Britney Spears b------- and all that. This is not some American Idol b-------. This is some American badass s---."

Helping out was his 10-piece Twisted Brown Trucker Band as Rock's never-ending tour in support of his last studio album, 2007's Rock N Roll Jesus, shows no sign of ending. (His next record, Born Free, produced by Rick Rubin, is expected soon).

Rock owned Bon Jovi's massive stage, walking along the circular catwalk and hi-fiving fans like he was the headliner, and even took to the piano to belt out Sly and The Family Stone's Everyday People.

But it was his own Cowboy, which saw him put on a cowboy hat and strut the catwalk again that really ignited the audience, along with the country-fuelled ballad, Picture, which saw his female backup singer Shannon Curfman take over Sheryl Crow's part of the duet as Rock inserted the lyric, "Wish I had a Toronto woman to miss me."

He also played the turntables while smoking a cigar and drinking a shot of liquor, strapped on an electric guitar, and took over on drums for a cover of Ted Nugent's Cat Scratch Fever.

"Whoooooo! You know what that is right? It's the redneck mating call," he joked, before stripping off his shirt, amid fire bursts and fireworks during his final two songs, So Hott and Batwitdaba.

- - -

Bon Jovi set list
Blood on Blood
We Weren't Born to Follow
You Give Love a Bad Name
Born to Be My Baby
Lost Highway
Runaway
It's My Life
I'll Sleep When I'm Dead
We Got It Goin' On
Bad Medicine/ Old Time Rock n' Roll featuring Kid Rock/Shout
Love's The Only Rule
Lay Your Hands on Me
Bed of Roses
I'll Be There For You
Something For The Pain
Someday I'll Be Saturday Night
In These Arms
Work for the Working Man
Have a Nice Day
Who Says You Can't Go Home

Encore
Always
Wanted Dead or Alive
Livin' on a Prayer

According to Sources the actual set list looked more like this:
Blood On Blood
We Weren't Born To Follow
You Give Love A Bad Name
Born To Be My Baby
Lost Highway
Runaway
It's My Life
I'll Sleep When I'm Dead
We Got It Goin' On
Bad Medicine/Old time rock 'n roll w/ Kid Rock
Love's The Only Rule
Lay Your Hands On Me (Richie On Vocs)
Bed Of Roses
I'll Be There For You (Jon/Richie)
Something For The Pain
Someday I'll Be Saturday Night
In These Arms
Work For The Working Man
Have a Nice Day
Who Says You Can't Go Home
Keep The Faith

Encore:
Always
Wanted Dead Or Alive
Living On A Prayer

Bon Jovi Widget